I haven’t been quilting much lately, but I have been spending time designing quilts in EQ8. It’s so easy to lose hours just lost in quilt design on the computer! If you own EQ8, you know what I’m talking about.
Since I can’t show you any real quilts in progress, here are few ‘virtual’ beauties to enjoy.
Wild Beach Balls emerged from a personal challenge to create an interesting design from just two solid-colored fabrics. I’m not sure I’ve found the perfect color combo yet, but I love the movement in this design.
If you can believe it, the entire quilt is made with only a single block. The design is pretty modern so I think it might work well for the annual 2-color quilt challenge for QuiltCon each year.
Festiva began as an experiment with the New York Beauty block. I’ve not made a quilt from this block yet, but am itching to do so. I’ve got about 60 color variations with varying border treatments as well. I haven’t settled on exactly the right one yet, but when I do I might actually make this quilt.
I recently came across the Antique Nosegay block, which I had never seen before. It’s such a calm little block I felt like I had to make traditional quilt design for it. The Baltimore album medallion in the alternate blocks seems to create a nice contrast.
While playing with the colors, it struck me that this would make really nice wedding quilt, perhaps with 30’s reproduction colors for softness.
Well, that’s all for now. Photos of real quilts in progress coming soon – promise!
I know the quilting in this photo is impossible to see, but it was an excellent choice for this quilt top. Believe it or not, Rebecca chose a gold-colored thread for the quilting and it truly was perfect. It didn’t fight with the color and gave just the right amount of texture and contrast. We named the quilt Color and Light, a Sondheim song reference that is well-known to the theatre-savvy couple.
I was able to finish the hand-sewn binding in time to take it to “Show and Tell” at my guild meeting before carting it off to New York the next day. Whew! Just in time.
So what did the happy couple have to say about it?
“A formal thank you to follow, of course, but we have spent the morning sending photos of this quilt to people. It’s *gorgeous* and we couldn’t love it more!”
Just what we’d hoped for.
If you’re interested, here’s a link to the original version and a kit for this quilt in case you don’t want to mix and match fabrics on your own. It’s a fun, fast quilt to make and is just perfect for mixing lots of color and pattern. Mine’s way more colorful and exciting than the original (guess I’m kind of partial!) but you’re welcome to try their version. For my money, mixing and matching some vibrant Kaffe Fasset fabrics is the way to go.
Now I just have to buckle down to start my next project, which is an original design. Stay tuned for more!
I’ve taken the quilt to Rebecca Mullins, a long-arm quilter in our guild who does fantastic work. We immediately hit it off last year when she designed the quilting on the raffle quilt I designed for our guild’s triennial quilt show. I want her to quilt this special quilt.
For those of us without a longarm, it’s sometimes hard to imagine what the final result will look like. So I’m here to tell you: trust your longarmer! In fact, be sure to read my 10 tips for making your longarm quilter happy before you take your quilt top to be quilted.
Longarm quilters spend a lot of time looking at quilting designs and they see a lot of quilts. As a result, I believe that good longarmers tend to develop a great sense of matching quilting designs to quilt tops. So listen to their suggestions.
In the conversation with Rebecca, she provided multiple options, each of them a nice, curvy contrast to the very straight-lined design of the top. We exchanged texts as she considered designs (normal for us), and in her texts she included screenshots like the one below for the designs under consideration.
Honestly, it was really hard for me to envision the end result of a design on a queen-sized quilt by looking at a two-inch pic on my iPhone. So I told Rebecca I trusted her judgement and asked her to choose the design she thought would look the best.
Here’s what she chose. I can’t wait to see how it turns out!
How can you make your longarm quilter happy to quilt your quilts? Here’s how.
If you’re someone who doesn’t enjoy the quilting part of making a quilt you can usually find someone nearby who has a longarm machine and is willing to quilt your top for a fee. Choosing a longarm quilter is a little like choosing a dance partner: you’ve got work together for the result to be great. Both sides must give and take and be sensitive to the other’s needs.
So as one quilter to another, here 10 tips to make your longarm quilter love quilting your quilts:
Make sure your quilt top is clean, square, and freshly pressed.
Make the quilt backing 4 inches bigger than your quilt top on all sides.
If you must piece the backing, horizontal piecing (seams run from one side to the other) is better for a longarm quilt frame.
Mark the top of your quilt if it is directional. Do the same for the backing if it is also directional.
Ask for multiple design suggestions if you’re choosing an all-over quilting pattern, which is also sometimes referred to as an edge-to-edge or E2E design. E2E designs work better when the quilt top is very busy. Custom quilting is more expensive; you may want to reserve custom quilting for very special quilts or quilts where there is lots of unpieced space in the quilt top. Ask your longarmer which pattern he or she would choose and pay attention to the recommendations – she/he knows what they are talking about!
Ask for thread color suggestions; the longarmer will know from experience which threads work well and how they impact the final design. Don’t ask for different colors of thread in the top and the bobbin. Invariably, some stitches will show through and you’ll be disappointed with the final result.
Make sure you have a clear understanding about the pricing. E2E designs are usually priced by the square inch. Custom quilting may also be priced by the square inch, usually at a higher price. Bobbins, batting, and any finishing might be extra. Don’t assume anything; having a debate about pricing after the quilting is finished is no fun for either of you.
If you wish to provide your own batting, be sure the longarmer is willing to work with the batting you want to use. Some longarmers have batting preferences to ensure good quilting results. Find out if you must provide the batting or whether you can purchase it from your longarmer.
Be patient. Pestering your longarmer with questions about when it will be done just takes them away from actually doing the work. Agree on a tentative (stuff happens, right?) date when it will be ready and then be flexible to an extent. If the timeline drags on longer than you want, don’t be afraid to retrieve your quilt top and take it to someone else who can quilt it faster.
Above all, show your appreciation with more than just your checkbook. Like everyone else, a longarmer wants to know that her or his work is appreciated. Hearing quilters express their appreciation is meaningful. Another way to express appreciation is to refer new clients to the longarmer.
If you’ve never taken your quilt top to a longarm quilter before, it will be a little scary and exhilarating. So follow these tips and before you know it, you’ll have a quilting dance partner who collaborates with you to finish stunning quilts!
It was a long search for backing fabric for the log cabin quilt. I wanted a black fabric with subtle coloring and it had to be patterned. No solid fabrics in this quilt! Turns out that is not so easy to find. Finally I located just what wanted at Missouri Star. They had just enough for me to use for setting triangles, binding, and backing.
I plan to use the leftover bits from the FQs to insert a little colored row in the backing. Since the quilt is so large – queen size – I’ll have to piece the backing anyway. So why not make it a little interesting and link it to the front with some leftover fabric?!
So I cut some pieces and experimented with making a column of fabric to insert into one of the seams on the back. I laid out two columns, trying one that was laid out in a graduated design and another that was just randomly mixed. Though I like the graduated look, the random mix matches the quilt front better – I’ll go with that one.
It’s time to piece the backing snd the front together. Exciting!
In case you’ve never used a design wall, I highly recommend it for laying out your quilt blocks. Many materials will work -batting, felt, drapery lining, etc. Mine is simply a king sized batting piece hung with thumb tacks.
Stepping back a bit, I can see that one pale purple square really stands out (4th row down, two in). It looks out of place and will need replacing before piecing the top together. This is exactly why arranging your finished blocks on a design wall is a good idea: you can see any changes you may want to make before you sew the top together.
It also allows you to play with the arrangement of blocks to find the most pleasing arrangement for your top. I like this arrangement so I doubt any changes will happen to the layout. But I have been known to change my mind…
Before beginning to sew this together, I need to trim each block to ensure they are all perfectly square; it makes assembling the quilt top much easier. I used a Creative Grids 15″ square ruler for this job.
By placing the ruler along one edge so that the 45 degree angle line cuts through the corner of each row, I can cut off any parts of the edges that aren’t square. This will take some time but it sure makes a big difference in sewing the top together.
I’ve assembled quilt tops without first squaring up the blocks and it was so frustrating. Seams didn’t line up, rows were too short or too long, and sometimes an entire side of my quilt was out of square. So I truly believe this is one step you just shouldn’t avoid doing. You’ll thank me later when all your blocks go together easily and your seams line up!